| Giuseppe Arcimboldo |
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Summer |
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Oil on canvas, 1573. Arcimboldo was an Italian painter, who later became court portraitist in Vienna. His conventional paintings of religious stories are lost. It is the portraits made up of fruit, vegetables, fish and tree roots that survive. They are also the reason the artist is often thought mad by art critics. Here we see Summer as a figure, one of four paintings personifying the seasons. Arcimboldo also produced portraits of real people in the same style, including Pope Rudolf II who was really pleased with it. Can be found in The Louvre Museum, Paris. |
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| Hendrick Avercamp |
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A scene in the Ice Near a Town |
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Oil on wood, 1615. The whole town frolics on a frozen pond, each detailed character clearly visible against grey sky and ice. Deaf, dumb and Dutch, Avercamp was a portrait painter before being tutored by a print designer who knew about popularity. Fortunate then, because as church patronage withered away, artists had to catch the eye of private collectors. These lively landscapes, with their community spirit, combinations of decorative and realism, did just that. Can be found at The National Gallery, London. |
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| Francis Bacon |
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Study after Velazquez's Portrait of Pope Innocent X |
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Oil on canvas, 1953. A pope screams in terror, as he is absorbed into the curtains around him. Bacon painted more than 40 versions of Velazquez's more traditional portrait of Pope Innocent X, with which he became obsessed. Bacon was a figurative painter - his art represents the human form, or something with strong references to it. He also suffered from asthma, which is why many of his figures have their mouths wide open, gasping for air. Can be found at Des Moines Art Center, USA. |
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Painting 1946 |
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Oil on canvas, 1946. Bacon started exhibiting in 1930, most sales going to friends and family. At the end of World War II his grotesque and deformed figures suddenly became relevant, as allied forces discovered just what the Nazi's had been doing for the last ten years. In this picture we see the artist's common themes - tubular furniture, rotting meat, dictatorship, the diseased mouth gasping for air. Can be found at The Museum of Modern Art, New York. |
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Self-Portrait |
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Oil on canvas, 1971. Bacon was born in Dublin, his mother a party animal, his father a gruff race horse trainer who didn't approve of young Francis wearing his mother's underwear and lipstick. After leaving home and gorging on art exhibitions, Bacon discovered an interest in painting. His images of gnarled bodies may look imaginary, but the subjects are direct references to the World around him. Can be found at Musee National d'Art Moderne, Paris. |
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| Giovanni Bellini |
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Young Woman at her Toilet |
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Oil on canvas, 1515. Giovanni transformed Venice into a centre of the Renaissance by developing a sumptuously colourful style using slow drying oil paints. He had an overwhelming religious fervour, and prospered well throughout his life decorating church interiors. Giovanni waited until he was about 85 years old before painting this, his first female nude. She represents the non-religious ideal of female beauty as well as looking a bit like the Virgin Mary. Can be found at Kunsthistorisches Museum, Vienna. |
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| William Blake |
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The Body of Abel Found by Adam and Eve |
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Watercolor on wood, 1825. |
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Nebuchadnezzar |
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Print with watercolor and ink, 1795. Can be found at Tate Gallery, London. |
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Glad Day |
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Oil on canvas, 1794. Can be found at The British Museum, London. |
| Hieronymous Bosch |
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The Tribulations of St. Anthony |
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Oil on panel, 1516. |
| Fernando Botero |
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Mona Lisa |
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Oil on canvas, 1977. |
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Ballerina to the Handrail |
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Oil on canvas, 2001. |
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The Toilet |
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Oil on canvas, 1989. |
| Sandro Botticelli |
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The Birth of Venus |
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Tempera on canvas, 1482-1486. Botticelli was an Italian Pre-Renaissance painter, and this is one of the greatest works of Florentine art. Here we see Venus, the goddess of love and beauty, emerging from the sea as a full grown woman, blown ashore upon a clam. The length of her neck and the shape of her left shoulder are inhuman. This is a Pagan work, and lucky to survive burning. Can be found at The Uffizi Gallery, Florence. Tempera, a precursor to oil, is a rudimentary paint made with egg. |
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| Giovanni Antonio Canal (Canaletto) |
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Piazza San Marco |
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Oil on canvas, 1730. |
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View of the Molo |
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Oil on canvas, 1725. |
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The Grand Canal and the Church of the Salute |
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Oil on canvas, 1730. |
| Michelangelo Merisi da Caravaggio |
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Doubting Thomas |
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Oil on canvas, 1599. Doubting Thomas is examining Christ's wounds after the Resurrection. Christ, the two apostles, and a massively insensitive Thomas are all dramatically portrayed against a non-existent background. This tense and vivid snapshot is Caravaggio's unique style. He was the first of a Baroque school that inspired so many juicy images from Titian and Raphael. Can be found at the Stiftung Schlösser und Gärten Potsdam Sanssouci, Potsdam. |
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David Victorious over Goliath |
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Oil on wooden panel, 1606-07. For Caravaggio, his passion and rebelliousness was not restricted to the canvas. He was a brawler, and a murderer, with an appetite for gore. His subjects were not models, but real people, alive or dead. He shows us beheadings, deaths, crucifixions, and sickness, but also less glorious subjects, such as a lute player, or a boy with a basket of fruit. Can be found at Kunsthistorisches Museum, Vienna. |
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| Vittore Carpaccio |
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Portrait of a Knight |
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Oil on panel, 1525. |
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Two Venetian Ladies on a Balcony |
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Oil on panel, 1500. |
| Paul Cézanne |
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Mont Sainte-Victoire |
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Oil on canvas, 1898. |
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Drapery, Pitcher, and Fruit Bowl |
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Oil on canvas, 1894. |
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Self-portrait |
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Oil on canvas, 1882. |
| Marc Chagall |
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Above the Town |
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Oil on canvas, 1915. |
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The Bride |
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Oil on canvas, 1950. |
| Jean-Baptiste-Siméon Chardin |
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The Young Schoolmistress |
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Oil on canvas, 1736. Self-taught master of still life, Chardin first painted fruit, then kitchen utensils, finally simple scenes of everyday life. This picture of school teacher and pupil in subdued colours and mellow lighting is typical of his style. Chardin had lifelong patronage from Louis XV, even when the fashion in 18th Century France was for historical scenes of inflated macho energy. Chardin's subjects were thought unworthy. For that reason his paintings are the only visual record of Paris's affluent class. Can be found at The National Gallery, London. |
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| John Constable |
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The Haywain |
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Oil on canvas, 1821. |
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Stratford Mill |
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Oil on canvas, 1820. |
| Salvador Dali |
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Dream Caused by the Flight of a Bumblebee around a Pomegranate a Second Before Awakening |
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Oil on canvas, 1944. |
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Sleep |
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Oil on canvas, 1937. The act of sleeping is depicted here as a sort of monster sustained by the crutches of reality. Should one crutch snap, the delicate state will be broken. |
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Lobster Telephone |
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Oil on canvas, 1936. |
| Edgar Degas |
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The Rehearsal |
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Pastel on canvas, 1874. |
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Singer with a Glove |
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Pastel on canvas, 1878. |
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L'Absinthe |
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Pastel on canvas, 1893. |
| Marcel Duchamp |
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Fountain |
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Porcelain, 1917. |
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Nude Descending a Staircase |
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Oil on canvas, 1912. |
| Anthonis van Dyck |
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King Charles I |
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Oil on canvas, 1635. Van Dyck, was a Flemish Baroque artist who became England's leading court painter. He was a portrait artist and an expert draughtsman. Van Dyck's triple portrait of Charles I (with whom he shared the same beard) is his most famous work, and was intended for an Italian sculpture, to make a marble bust. The insight into the character of the subject that his portraits reveal came to dominate portrait painting for the next Century. Can be found at The Royal Art Collection, London. |
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| Maurits Cornelis Escher |
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Bond of Union |
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Lithograph, 1956. |
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Belvedere |
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Lithograph, 1958. |
| Jan van Eyck |
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Portrait of a Man in a Turban |
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Oil on panel, 1433. Can be found at The National Gallery, London. |
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The Arnolfini Marriage |
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Tempera on wood, 1434. Can be found at The National Gallery, London. |
| Lucian Michael Freud |
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Girl with a White Dog |
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Oil on canvas, 1951-2. This is Kathleen, the artist's first wife, and an English bull terrier, together on a mattress. Both girl and dog, painted in pale bleak tones, share the same quietly intense stare. The girl's skin has been detailed in subtle tones creating an ivory quality, but with every flaw on display. Freud often painted his figures in sparse environments, with no extras except a pet or a plant and something for the sitter to sit on. Can be found at Tate Gallery, London. |
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Reflection (self-portrait) |
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Oil on canvas, 1985. This is one of a pair of self-portraits, the other being a profile. A skilled draughtsman and figurative artist, Freud paints the skin as a projection of the emotions that lie beneath. The results are stark and honest, physically mangled, showing the un-idealised nakedness of the subject. One of his sitters disliked the portrait so much he destroyed it. Lucien Freud, once described as the greatest living Realist painter, is the grandson of Sigmund, the Austrian psychoanalyst. |
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The Queen |
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Oil on canvas, this portrait of Queen Elizabeth II was painted in 2001 and presented to The Queen by the artist. No one in a Freud painting ever looks relaxed, and this portrait is no exception. The Queen wears an expression of stoicism and experience, as well as the same crown she is seen in when depicted on stamps and bank notes. Part of The Royal Collection of Her Majesty Queen Elizabeth II. |
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| John Henry Fuseli |
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The Nightmare |
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Oil on canvas, 1781. |
| Thomas Gainsborough |
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Mr and Mrs Andrews |
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Oil on canvas, 1748-49. Gainsborough was a portrait painter by trade and a landscape painter by heart. His portraits were commissioned as celebrations of marriage and wealth. Meet the Andrews. They own wheat fields and sheep, and everything just short of the horizon. But are they not strangers to country life? He's got the wrong socks on. She's in a ball gown and slippers. Who's bringing in the sheaves? The gun dog may be more symbolic of love than of any practical function. Can be found at The National Gallery, London. |
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| Paul Gauguin |
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Woman with a Flower |
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Oil on canvas, 1891. Can be found at Ny Carlsberg Glyptotek, Copenhagen. |
| Théodore Géricault |
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The Raft of the Medusa |
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Painted between 1818 and 1819. Can be found at Louvre, Paris. |
| Mark Gertler |
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The Merry-Go-Round |
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Oil on canvas, 1916, Tate Gallery, London. |
| Gilbert Prousch and George Passmore |
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Thumbing |
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Mixed media, 1991. Can be found at Anthony d'Offay Gallery, London |
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England |
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Mixed media, 1980. Can be found at Tate Gallery, London |
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Crusade |
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16-part photopiece, 1980. Can be found at National Galleries of Scotland, Edinburgh. |
| Vincent van Gogh |
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Sunflowers on Blue |
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Oil on canvas, 1888. |
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Starry Night |
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Oil on canvas, 1889. |
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Irises |
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Oil on canvas, 1889. |
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The Bedroom at Arles |
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Oil on canvas, 1887. |
| Francisco José de Goya |
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Portrait of the Duchess of Alba |
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Oil on canvas, 1797. Can be found at The Alba Collection, Madrid. The subject is María del Pilar Teresa Cayetana de Silva Alvarez de Toledo y Silva Bazán, 13th Duchess of Alba. |
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The Swing |
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Oil on canvas, 1787. Can be found at Esther Koplowitz Collection, Madrid Spain. |
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The Shootings of May Third 1808 |
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Oil on canvas, 1814. Can be found at Museo del Prado, Madrid. |
| Frans Hal |
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Banquet of the Officers of the St. George Civic Guard |
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Oil on canvas, 1616. By the 17th Century, portraits had come to reflect new cultural values. Less of the individual, more of the civic pride and personal duty. Here is a farewell banquet for the civic guard, a group portrait, in which the artist combines individual portraits in what could otherwise have been a row of heads. The realistic detail, emotive hum and fleeting gestures demonstrate the artist's Baroque style and frivolous realism. Can be found at The Frans Halsmuseum, Haarlem. |
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| Richard Hamilton |
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Just What Is It That Makes Today's Homes So Different, So Appealing? |
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Collage on paper, 1956. Can be found at Kunsthalle, Tübingen. |
| Damien Hirst |
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The Physical Impossibility of Death in the Mind of Someone Living |
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Installation, 1991. |
| David Hockney |
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A Bigger Splash |
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Acrylic on canvas, 1967. Here, an unseen figure creates a splash, an explosion of sound in a sparse Californian landscape. A snapshot of an idyllic and vacuous lifestyle. Hockney, a Yorkshire lad, and expert draughtsman, was a leading member of the pop art movement during the 1960s. Pop art images are hard edged, and representational (not abstract), a reaction against the elitist, narrow-target culture of the time, abstract expressionism (blobs and drips). Can be found at Tate Gallery, London. |
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| William Hogarth |
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Gin Lane |
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Engraving, 1751. |
| Edward Hopper |
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Nighthawks |
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Oil on canvas, 1942. The portrayal of the emptiness of modern urban life is a common theme throughout Hopper's work. Nighthawks, begun immediately after the attack on Pearl Harbour, depicts the feeling of gloominess that came over America at the time. Nighthawks can be found at The Art Institute of Chicago. |
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| Wassily Vasilyevich Kandinsky |
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Cossacks |
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Oil on canvas, 1910-11. Can be found at Tate, London. |
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Transverse Line |
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Oil on canvas, 1923. Can be found at Kunstsammlung Nordrhein-Westfalen, Dusseldorf. |
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Improvisation 7 |
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Oil on canvas, 1910. Can be found at Tretyakov Gallery, Moscow. |
| Gustav Klimt |
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The Kiss |
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Oil on canvas, 1907. Two lovers in bright and beautiful robes, kiss, enfolded in a golden shroud of their union. This is Klimt's most famous scene of tense eroticism - the mosaic shapes, flat depth and use of gold leaf are typical of his paintings. His radical combination of styles celebrating human emotions in decorative patterns made him the primary force behind the Austrian Art Nouveau Movement. Spent his life devoted to sex and art. Can be found at the Österreichische Galerie, Vienna. |
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| Roy Lichenstein |
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In the Car |
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Oil and magna on canvas, 1963. |
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Red Lamps |
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Lithograph, woodcut, and screen print, 1990. |
| Laurence Stephen Lowry |
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Coming from the Mill |
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Oil on canvas, 1930. |
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The Pond |
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Oil on canvas, 1950. |
| René Magritte |
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The Treachery of Images |
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Oil on canvas, 1881. |
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The Son of Man |
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Oil on canvas, 1964. |
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The Lovers |
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Oil on canvas, 1928. |
| Man Ray (Emmanuel Radnitzky) |
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Le Violon d'Ingres (The Hobby) |
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Monograph, 1924. |
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Cadeau |
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Cast iron and brass tacks, 1921. |
| Edouard Manet |
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Dejeuner sur l'herbe |
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Oil on canvas, 1862. Can be found at Musee d'Orsay, Paris. |
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Olympia |
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Oil on canvas, 1863. Can be found at Musee d'Orsay, Paris. |
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A Bar at the Folies-Bergeres |
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Oil on canvas, 1881-2. Can be found at Courtauld Institute Galleries, London. |
| Henri Matisse |
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The Dinner Table |
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Blue Nude |
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Paper cut out, 1907. |
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Portrait of Lydia Delectorskaya |
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Oil on canvas, 1947. Can be found at Hermitage, Saint Petersburg. |
| Michelangelo di Lodovico Buonarroti Simoni |
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David |
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Marble (height 4.1m), 1499-1501. Can be found in Florence, Italy. |
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God Creates Adam |
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Fresco, 1511. Can be found at The Sistine Chapel, Rome, Italy. |
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Pietà |
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Marble, 1499. Can be found at St. Peter's Basilica, Rome, Italy. |
| Sir John Everett Millais |
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Ophelia |
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Oil on canvas. Can be found at Tate Britain, London. |
| Pieter Cornelius Mondriaan |
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Composition with Yellow, Blue, and Red |
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Oil on canvas, 1921. Can be found at Tate Gallery. London. |
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Self-portrait |
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Oil on canvas mounted on stone, 1900. Can be found at The Phillips Collection, Washington DC. |
| Claude Monet |
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Houses of Parliament |
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Poplars on the Epte |
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Haystacks |
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| Henry Moore |
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Recumbent Figure |
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| Edvard Munch |
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The Madonna |
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The Scream |
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Oil, tempera and pastel on cardboard, 1893. Can be found at Nasjonalgalleriet, Oslo, Norway. |
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Self-Portrait after Spanish Influenza |
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Oil on canvas, 1919. Can be found at Nasjonalgalleriet, Oslo, Norway. |
| Bruce Nauman |
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Life, Death, Love, Hate, Pleasure, Pain |
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The True Artist Helps the World by Revealing Mystic Truths |
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| Grayson Perry |
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Two Children Born on the Same Day |
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Ceramaic, 1996. Grayson Perry is primarily a ceramicist, but also a painter and author, a gingham-transvestite, a political intellect, and winner of the Turner Prize 2003 for a series of classically shaped vases. The artists work often conceals dark criticism of society and his childhood in seemingly innocuous objects such as pottery and headscarves. |
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| Pablo Picasso |
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Les Demoiselles d'Avignon |
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Oil on canvas. Five prostitutes in a brothel in Barcelona, each drawn in a different style with the most Cubist of all on the far right. Picasso made hundreds of sketches before embarking on this work, which is now considered the catalyst of the Cubism movement. Picasso was inspired by African masks and Matisse's Blue Nude of the same year. Deemed immoral when first exhibited, can now be found at The Museum of Modern Art, New York City. |
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Dove of Peace |
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Coloured lithograph. After the Second World War, Picasso was commissioned to create a graphic symbol for the 1950 International Peace Congress meeting in Paris. He created this outline of a dove. Picasso was a pacifist, refusing to fight in both World Wars and the Spanish Civil War. He was also a socialist and a member of the French Communist Party. However his relationship with the Soviet government soured when they saw his portrait of Stalin. |
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Guernica |
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Oil on canvas. On April 26th 1937 General Franco requested the German Luftwaffe to carpet-bomb Guernica, a Basque town that had become a strategic focal point in the Spanish Civil War. This is Picasso's response to the attack, a vast mural 25 feet wide, in black and white to mimic newspaper print. This painting is non-representational. Instead Picasso shows us a scene of equivalent horror. With it he brought the reality of the Spanish Civil War to the World's attention. Can be found at Museo Nacional Reina Sofia, Madrid. |
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Women Running on the Beach |
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Oil on plywood. Two plump women find themselves unrestrained at the seaside. During his 75 years Picasso created thousands of paintings, prints, sculptures and ceramics. He embodied a wide variety of styles, sometimes using more than one style in the same painting. His personality and arrogance, and his innumerable affairs with women made him even more famous. He is the greatest artist of the 20th Century. The two women can be found at Musée Picasso, Paris, |
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| Jackson Pollock |
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Lavender Mist |
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Convergence 10 |
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| Nicolas Poussin |
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The Arcadian Shepherds |
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Oil on canvas, 1637-8. Poussin was a French classical painter of the Baroque school. Here we see shepherds examining a tomb in a scene of almost irrational calm. Poussin's early pictures were overtly Baroque, but later in his career the artist's sense of logic and order moved him away from Baroque exuberance. Throughout his career Poussin remained loyal to classical themes and the universal truths they characterized, while his French contemporaries were making decorations. Can be found in the Louvre, Paris. |
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| Raphael Sanzio |
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The School of Athens |
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St Catherine of Alexandria |
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Il Spasimo |
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| Paula Rego |
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The Family |
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Acrylic on canvas backed paper, 1988. |
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Snow White Playing with her Father's Trophies |
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Pastel on paper, mounted on aluminium, 1995. |
| Rembrandt Harmenszoon van Rijn |
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Self-Portrait |
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Oil on canvas, 1661. Rembrandt painted more than 40 self portraits. They document his progress from artistic student to the most famous European portrait painter, and subsequent bankruptcy. Sometimes he pulls faces or wears fancy dress. This work, his most recognized self portrait, is Rembrandt when he had lost his money. Can be found at Kenwood House, London. |
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The Anatomy Lecture of Dr. Nicolaes Tulp |
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The Return of the Prodigal Son |
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Oil on canvas, 1669. A father celebrates the return of his moronic son. It is a parable from the christian bible, often represented in art, demonstrating the virtues of repentance and forgiveness. Rembrandt's ability to penetrate the human character is demonstrated in the figure of old man, bent with age, charitable, loving. One of the artist's last paintings. Can be found at The Hermitage, St. Petersburg. |
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The Slaughtered Ox |
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| Pierre-Auguste Renoir |
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Ball at the Moulin de la Galette |
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Self-portrait |
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Oil on canvas, 1910. |
| Auguste Rodin |
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The Kiss |
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Marble, 1886. Two people are locked in an embrace, frozen, their lips do not touch, their lust unsatisfied. The man holds in his hand a book, the story of two other adulterers, Lancelot and Guinevere. The soft curves, the passion of the embrace, the deeply pocketed surface, the pulsating emotion, all contrast with the rough lump of marble on which they sit. They are in hell. In 1886 The Kiss was too rude for public display, can now be found at The Musée National Auguste Rodin, Paris. |
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The Thinker |
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Bronze and marble, 1879-1889. Rodin was a French sculpture. His portrayals of the living human body were controversial in a time when his contemporaries were carving out mythological theatre and religious pomp. The Thinker and The Kiss were originally part of a much larger work, and only later in Rodin's life were exhibited as individual pieces. After his death he became the victim of changing aesthetic values. Rodin's work is now considered alongside Michelangelo's. Can be found in the garden of The Musée Rodin, Paris. |
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| Mark Rothko |
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Untitled: Orange and Yellow |
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| Henri Rousseau |
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The Monkeys |
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Tiger in a Tropical Storm |
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| Peter Paul Rubens |
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The Judgement of Paris |
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Oil on canvas, 1635. Rubens created a vast amount of work during his lifetime. He painted portraits and landscapes, but his biblical and mythological scenes with their emotive dynamism, deep rich colours, not too many bottoms on display, typify the Baroque style. Here we see Paris, a mortal, judging a beauty competition between Hera, Athena and Aphrodite. Whoever he chooses, he's got a problem. Can be found at The National Gallery, London. |
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The Massacre of the Innocents |
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Oil on canvas, 1635. Rubens was one of the greatest and most prolific painters of Baroque art. In this biblical drama we see the slaughter of babies ordered by King Herod. This crème passionel en masse is an opportunity for Rubens to compose a complex scene, with the heroic nude in violent action. At the time it was painted, another slaughter, between Catholics and Protestants, was going on outside. The most disturbing exhibit at The National Gallery, London. |
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| John Singer Sargent |
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Madame X |
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Oil on canvas, 1884. Can be found at The Metropolitan Museum of Art, New York. |
| Wilhelm Sasnal |
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Girl Smoking (Anka) |
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Oil on canvas, 2001. |
| Egon Schiele |
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Seated Woman with Bent Knee |
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| George Segal |
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Bus Riders |
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| Georges-Pierre Seurat |
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Sunday Afternoon on the Island of the Grande Jette |
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| Walter Sickert |
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Ennui |
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| Sir Stanley Spencer |
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Saint Francis and the Birds |
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Swan Upping at Cookham |
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| George Stubbs |
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Whistlejacket |
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Oil on canvas,1762. George Stubbs was an 18th Century Liverpudlian and self-schooled oil painter. He painted horses, but not just as four legged predecessors of the motorcar. Stubbs venerated horses, and his paintings show us horses as unworldly beings, disassociated from human drudgery by their power and elegance. Before he could do this he spent several months dissecting horses and studying their anatomy. Whistlejacket is his most famous work, and can be found at The National Gallery, London. |
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Zebra |
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Oil on canvas, 1762-3. Stubbs is most famous for his horses, but he also painted the wild animals found in private menageries. It was fashionable at the time to have a giraffe in the garden. This zebra stands in the English countryside, out of place and far from home. During his life Stubbs also painted portraits and historical paintings, and published illustrations on human and animal anatomy. Can be found at The Yale Center for British Art, New Haven. |
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| Tiziano Vecelli (Titian) |
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Diana and Actaeon |
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Oil on canvas, 1559. Can be found at National Gallery of Scotland, Edinburgh. |
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Portrait of Cardinal Pietro Bembo |
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Oil on canvas, 1540. Can be found at The National Gallery of Art, Washington. |
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The Allegory of Age Governed by Prudence |
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Oil on canvas, 1565-1570. Can be found at The National Gallery, London, UK. |
| Henri de Toulouse-Lautrec |
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Dance at the Moulin Rouge |
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| Joseph Mallord William Turner |
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Rain, Steam, and Speed |
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Oil on canvas, 1844. Turner was a Romantic in that he painted to convey the effect of a scene on the senses. He therefore required large and dramatic scenes, such as found in mythology and nature. In this painting of Maidenhead railway bridge, he captures light so intensely that the objects become almost unrecognizable, a style that made him a misunderstood and controversial figure during his life. Can be found in The National Gallery, London. |
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The Fighting Temeraire |
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Oil on canvas, 1838. Turner's painting captures light, colour and movement in pale glowing colours, a style that became the forerunner of French Impressionism. But unlike Impressionism with its emphasis on how light is perceived by the eye, Turner conveys the effect of a scene on the senses. The ship is to be broken up. The sun is setting. Gloom. Can be found in The National Gallery, London. The prestigious annual art award, The Turner Prize, was named in Turner's honour, but has little else to do with him. |
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Dido Building Carthage |
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Oil on canvas, 1815. An early exhibit, and one that would have been a purely neo-classical work, demonstrating the elegant styles of line and symmetry associated with the ancient Greeks and Romans. Instead this landscape is dominated by Turner's distinctive style of painting light. The chap in white on the left is Dido, who later kills himself. A doomed figure in an empiric landscape. Can be found in The National Gallery, London. |
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| Jack Vettriano, OBE |
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The Singing Butler |
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Oil on canvas, 1991. His images of beaches, butlers and lovers are generally dismissed by fine-art critics, but he remains Britain's most popular artist. |
| Leonardo di ser Piero da Vinci |
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Mona Lisa |
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Oil on canvas, 1503-1507. Can be found at Louvre, Paris. |
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The Last Supper |
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Oil on canvas, 1498. Can be found at Convent of Saint Maria delle Grazie, Milan, Italy. |
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Leda and the Swan |
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Oil on canvas, 1505-1510. The original did not survive. This is a copy by da Vinci's pupil Cesare Sesto. |
| Andy Warhol |
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Marilyn |
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Campbell Soup |
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| John William Waterhouse |
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The Lady of Shalott |
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| James McNeill Whistler |
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Arrangement in Grey and Black: The Artist's Mother |
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Oil on canvas, 1871. Also known as Whistler's Mother. Can be found at Musée d'Orsay, Paris. |
| Grant Wood |
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American Gothic |
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Oil on board, 1930. Wood combined the highly realistic style common to Early Renaissance art with the idea of a narrative story in pictures common to Gothic art. Wood is mostly associated with detailed 1930's rural scenes of Midwestern America, a style which became known as Regionalism. American Gothic can be found at the Art Institute of Chicago. The models are the artist's sister and dentist. |
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